Noticias creíbles pero ciertas v2.0

[Yumichan]

(02-02-2018, 10:40 PM)Kotaezu escribió:

(02-02-2018, 09:08 PM)Yumichan escribió: Putos retrasados...
https://www.theguardian.com/artanddesign...nversation

No me entero ¿lo han quitado por algo del cuadro en particular que no les parece bien o solo por "generar debate a ver que os parece que quitemos cuadros porque sí"?

A mí el cuadro me parece muy inocente. Esta gente se mete en ex hentai y llora.

Porque parecen humanoides muy jóvenas y el mito da a entender que trataban de seducir al compiyogui de Jasón y Hércules (lo cual es imposible según los cánones de hoy, en todo caso él las acosaría) ... y la señora esta que dirige el cotarro un día cayó en ello y con esto del #MeToo se dijo: Semos machirulxs, necesitamos revisárnoslo.

Cita:Gannaway said the title was a bad one, as it was male artists pursuing women’s bodies, and paintings that presented the female body as a passive decorative art form or a femme fatale.

“For me personally, there is a sense of embarrassment that we haven’t dealt with it sooner. Our attention has been elsewhere ... we’ve collectively forgotten to look at this space and think about it properly. We want to do something about it now because we have forgotten about it for so long.”
[...]
“We think it probably will return, yes, but hopefully contextualised quite differently. It is not just about that one painting, it is the whole context of the gallery.”

Waterhouse is one of the best-known pre-Raphaelites, whose Lady of Shalott is one of Tate Britain’s bestselling postcards, but some of his paintings leave people uncomfortable and he has been accused of being one step away from a pornographer.

... Waterhouse... pornógrafo...

Que sería otra mongolada posmoderna más... pero (actualización de la galería) parece que era auto-propaganda:

Cita:"Well, there’s no denying it’s been an interesting week. We anticipated a heated debate but were amazed by the huge response to the temporary removal of Waterhouse’s Pre-Raphaelite masterpiece. As of this morning, following seven days in our art store, this important painting is back on display."

Lo que refuerza la idea de que el discurso posmoderno es cosa de imbéciles o de aprovechados, hasta los puedes ubicar con un deslizador: